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Visual Editor of Drum Rhythms
Zelený, Martin ; Beran, Vítězslav (referee) ; Herout, Adam (advisor)
This bachelor's thesis is about visual editor of drum rhythms. The editor can make special type of music notation. This notation is used for recording percussion drum rhythms. The editor needs to be user-friendly and effective to use. Recorded notation can be printed directly.
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Sheet Music Recognition and Playing from Photography
Staněk, Jiří ; Veľas, Martin (referee) ; Pavelková, Alena (advisor)
This work deals with development of an application for optical music recognition. This application is designed for mobile phones with Android operating system. The work includes a brief introduction to the problem and introduces some existing solutions. There are described methods for image processing and classification, which are used in final application. It also shows the design and implemenation of the final aplication, where used methods for detection and removal of staff lines, detection and processing of musical symbols and their classification are described. The evaluation of the final application and a summary of achieved results are shown in the end of this work.
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History of audio carriers and transmission of sound
Šimarová, Lucie ; Krhutová, Milena (referee) ; Šedrlová, Magdalena (advisor)
Cílem této bakalářské práce je popsat vývoj zvukových nosičů. Tato bakalářská práce poskytuje náhled do historie a současnosti zvukových nosičů. Nejprve seznamuje čtenáře s teorií přenosu zvuku. Tato část je zaměřena na přenos vlnění a popisuje rozdíly mezi vlnami. Následně jsou probírány analogové a digitální způsoby záznamu zvuku. Hlavní část práce se věnuje uchovávání hudby. Nejprve se práce zabývá uchováním hudby před mechanickým záznamem, tato část zahrnuje notaci, tabulatury a automatofony. V další části je již popsán mechanický záznam zvuku, a to v analogové formě. Poslední kapitola je zaměřena na digitální záznam zvuku. V neposlední řadě práce obeznamuje čtenáře s kulturním a hudebním vlivem jednotlivých nosičů. Znalosti jsou nabyty z různých zdrojů, především z literatury.
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EX NIHILO NIHIL FIT (Nothing Originates of Nothing)
Hort, Leoš ; Šedivá, Barbora (referee) ; Guštar,, Milan (advisor)
Work about problematics of deconstruction and fractalisation of printed music information. The goal of this work is finding new artistic forms through combination of facts included within music notation on paper and its transformation into paper waste. The conclusion is a composition concept and working instruction offering the pictoral material and solo notation for grand piano at the end.
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Application for Online Music Notation Typesetting
Mackovič, Jakub ; Rychlý, Marek (referee) ; Burget, Radek (advisor)
In this thesis, an application for musical notation in the environment of web browsers using the SVG vector graphics format is proposed. We have a look at relevant standard notation practices as well as at the history of musical typesetting. Existing programs for musical notation are classified and examined and based on those a user interface for the application is designed along with some modifications. The implementation of the application is then described. A set of features is presented and their usefulness is with the user interface tested on users. The feedback of the testing is then evaluated and the application is improved based on the feedback. Finally, the future of the application is discussed. Because SVG can still be considered an experimental technology and many browsers lack its support or their behaviour differs, the application is only guaranteed to work on the Google Chrome browser.
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Chess Server
Bárczi, Viktor ; Trchalík, Roman (referee) ; Jirák, Ota (advisor)
This work deals with the creating, and solving the problem of a chess server. It is about creating a chess server wherewith people can play chess through the Internet or a local network and also on a PC. In the real world the construction of the informational system resembles chess games between two players. According to the basic rules of chess the control of the right movements, the analysis of special movements like taking a figure and also rooking, projection and the analysis of checks and mates on the king are solved. During the game statistics of the movements are kept and after the end of the game the performance of the players are calculated by the virtue of record and statistics are kept about the gained ELO (rating) points.
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J. S. Bach and His Piano Pieces for Music Art Schools
Marečková, Alena ; Gregor, Vít (advisor) ; Palkovská, Jana (referee)
The thesis "J. S. Bach and His Piano Pieces for Music Art Schools" is focused on interpretation of the piano music of Johann Sebastian Bach. For the right understanding of the composer's musical narratives, it is necessary to acquire the basic knowledge and principles of the music theory in the Baroque era and to become familiar with the environment in which this extraordinary composer had been professionally developing and composing. This musician is presented here as the founder of a modern fingering whose musical language brought a change into musical thinking and he became inspiration and a role model for composers of the next centuries. This thesis highlights the importance of appropriately selected musical materials in piano teaching and it prefers the performance to be as authentic as possible. The main purpose of this paper is to update the knowledge of methodology and to find a comprehensive guide to a correct understanding of musical language of this genius that would help the music teachers introduce to pupils the beauty and timelessness of Bach's musical work and that would motivate them to other musical discoveries and make them desire to be further educated in music.
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Unconventional Means of expression and techniques. Mathematical principles in comparing unconventional visual and musical art
Effenbergerová, Klára ; Bláha, Jaroslav (advisor) ; Šmíd, Jan (referee)
Univerzita Karlova v Praze / Pedagogická fakulta / Katedra výtvarné výchovy // Charles University in Prague / Faculty of Education / The Department of Fine Art Education Netradiční výrazové prostředky a techniky Matematické principy v komparaci netradičního výtvarného a hudebního díla UnconventionalMeansofexpressionandtechniques Mathematical principles in comparing unconventional visual and musical art Klára Effenbergerová Výtvarná výchova - pedagogika Prezenční studium, 5. ročník Datum dokončení: květen 2011 Vedoucí práce: Doc. PhDr. Jaroslav Bláha, Ph.D. Abstract The thesis deals with a comparative analysis of a project called Poéme électronique in the Philips Pavilion (1958), while an emphasis is put on its mathematical background and broader interdisciplinal contexts. Particular attention is devoted to grand oldman Iannis Xenakis. The thesis tries to interpret the phenomenon of Electronic poetry, which we understand as an effort to design a multimedia "Gesamtkunstwerk". This brings the necessitate of the multi-specialized synthetic approach in searching of a relationship between the kinds of arts, and the analysis of interactions of individual project components.
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Performative meditation and interpretation / Between manual and documentation, between script and record
Helia De Felice, Jennifer ; Cseres,, Jozef (referee) ; Kuburovic,, Branislava (referee) ; Ruller, Tomáš (advisor)
Tato práce se zabývá zasazováním zkušenosti do rámce, aktem zrození, opakování a škálou notací, a nakonec pojmem otevřená partitura (open score). Je zde sledováno několik cest, ve kterých se prezentované přístupy a záměry spájejí do základního konceptu zpracovávaní zkušenosti do partitury. Mezi různými styly a metodami ve vztahu k tomuto fenoménu jsou v práci prozkoumávány: hermeneutický přístup k interpretaci umění Hanse-Georga Gadamera v díle Pravda a metoda, estetická teorie Johna Deweyho v Art as Experience, vývoj notace a otevřené partitury, pravidla happeningu, slovní partitury (word score) a instrukce (event scores), forma manifestu a jeho role v umělecké praxi, návodné principy haiku, reperfomance jako odkaz k minulosti a sociální výzkum, rekonstrukce událostí jako sociálně angažované umění, umělecká praxe ve vztahu k legislativě, týkající se pozemkových práv a volného pohybu v krajině. Primárním cílem práce je odhalit proces redukce výchozí zkušenosti skrze uměleckou metodologii, ústící do konečné volně interpretovatelné práce, která má formu otevřené partitury.
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